Press Images

Please note that all images are protected by copyright and may only be used for press purposes related to the 12th Berlin Biennale for Contemporary Art and with corresponding image credits. The transfer to third parties is not permitted.

Portraits

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Curator and Artistic Team of the 12th Berlin Biennale (f.l.t.r. Ana Teixeira Pinto, Noam Segal, Kader Attia, Đỗ Tường Linh, Rasha Salti, Marie Helene Pereira)

Photo: Silke Briel

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Curator of the 12th Berlin Biennale: Kader Attia

Photo: Jennifer Soike

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Akademie der Künste, Hanseatenweg

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Akademie der Künste, Hanseatenweg

Berlin, 2022

Photo: dotgain.info

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Ammar Bouras, Mai Nguyễn-Long, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

From left to right:

 

Mai Nguyễn-Long, Specimen (Permate), 2022

Used glass household jars, found objects, organic matter

 

Ammar Bouras, Traces, 2022

Video, color, sound, 15′

 

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Mai Nguyễn-Long, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Mai Nguyễn-Long, Specimen (Permate), 2022

Used glass household jars, found objects, organic matter

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  • 8.09 MB
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Sammy Baloji, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Sammy Baloji, …and to those North Sea Waves Whispering Sunken Stories (II), 2021

Metal and glass terrarium containing various tropical plants, potting soil, clay pebbles, sound

230 × 273 × 307 cm

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DAAR – Sandi Hilal and Alessandro Petti, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

DAAR – Sandi Hilal and Alessandro Petti, Ente di Decolonizzazione (Entity of Decolonization) – Borgo Rizza, 2022

Wood, plaster, plexiglass

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DAAR – Sandi Hilal and Alessandro Petti, Tammy Nguyen, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Front :

 

DAAR – Sandi Hilal and Alessandro Petti, visualization of Ente di Decolonizzazione (Entity of Decolonization) – Borgo Rizza, 2022

Wood, plaster, plexiglass

 

Back :

Tammy Nguyen, series of paintings, 2022

Watercolor, vinyl paint, pastel, metal leaf on paper stretched on foam board mounted on wooden frame

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  • 7.31 MB
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Florian Sông Nguyễn, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Florian Sông Nguyễn, les chiens errants [The Stray Dogs], 2022

Ink wall drawing, ink on paper

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Florian Sông Nguyễn, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Florian Sông Nguyễn, les chiens errants [The Stray Dogs], 2022

Ink wall drawing, ink on paper

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Forensic Architecture, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Forensic Architecture, Cloud Studies, 2022

2-channel video installation, color, sound, 26′08′′

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Imani Jacqueline Brown, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Imani Jacqueline Brown, What remains at the ends of the earth?, 2022

Video installation, print

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Imani Jacqueline Brown, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Imani Jacqueline Brown, What remains at the ends of the earth?, 2022

Video installation, print

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Lamia Joreige, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Lamia Joreige, After the River, 2016

3-channel video installation, shown as single projection, color, sound, 20′

 

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Đào Châu Hải, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Đào Châu Hải, Ballad of the East Sea, 2022

CNC cut steel plates

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Đào Châu Hải, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.-18.9.2022

Photo: dotgain.info

 

Đào Châu Hải, Ballad of the East Sea (detail), 2022

CNC cut steel plates

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Tammy Nguyen, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Tammy Nguyen, series of paintings, 2022

Watercolor, vinyl paint, pastel, metal leaf on paper stretched on foam board mounted on wooden frame

 

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Sven Johne, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Sven Johne, Heilpflanzen im Todesstreifen / Medicinal Plants in the Death Strip, Germany, 2021

25 archival pigment ink prints on fine art paper
© Sven Johne / VG Bild-Kunst, Bonn 2022

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Sven Johne, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Sven Johne, Heilpflanzen im Todesstreifen / Medicinal Plants in the Death Strip, Germany (detail), 2021

25 archival pigment ink prints on fine art paper
© Sven Johne / VG Bild-Kunst, Bonn 2022

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Yuyan Wang, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022

Photo: dotgain.info

 

Yuyan Wang, The Moon Also Rises, 2022

Full HD-Video, color, sound, approx. 20′; lighting equipment

 

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Akademie der Künste, Pariser Platz

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Akademie der Künste, Pariser Platz

Berlin, 2022

Photo: dotgain.info

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Elske Rosenfeld, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

Elske Rosenfeld, Interrupting (A bit of a Complex Situation), 2014, from the series An Archive of Gestures, 2012–22

2-channel video installation, color, sound, 14′, metal frame

© Elske Rosenfeld / VG Bild-Kunst, Bonn 2022

 

 

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Elske Rosenfeld, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

Elske Rosenfeld, Speaking (Statements for the Future), 2019/22, from the series An Archive of Gestures, 2012–22

Video installation, color, sound, 15′; metal frame

© Elske Rosenfeld / VG Bild-Kunst, Bonn 2022

 

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Moses März, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

Moses März, various works on paper, 2021-22

Crayon, pencil and collages on paper

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Prabhakar Kamble, Taloi Havini, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

From left to right:

 

Prabhakar Kamble, objects from the series Utarand [Stacked vessels], 2022

Earthen pot, metal foot, fiber brains, satin cloth, indigo powder, acrylic, iron rod, wooden base

 

Taloi Havini, Beroana (Shell money) IV, 2016

Stoneware, earthenware, clear glaze, steel wire

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Taloi Havini, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

Taloi Havini, Beroana (Shell money) IV, 2016

Stoneware, earthenware, clear glaze, steel wire

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Karl Schmidt-Rottluff, Crucifixes, Emil Nolde, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

Karl Schmidt-Rottluff, Schiefblatt und Maske [Begonia and Mask], 1950

Oil on canvas

© Karl Schmidt-Rottluff / VG Bild-Kunst, Bonn 2022

 

Karl Schmidt-Rottluff, Grüne Frau [Green Woman], 1956

Oil on canvas

© Karl Schmidt-Rottluff / VG Bild-Kunst, Bonn 2022

 

Crucifixes, various collections

 

Emil Nolde, Exotische Figuren [Exotic Figures], 1912

Oil on canvas

 

Emil Nolde, Holzfigur [Wooden Figure], 1912

Oil on canvas

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Crucifixes, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

Crucifixes, various collections

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Dubréus Lhérisson, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

Dubréus Lhérisson, Untitled, ca. 2015

Mixed media; skulls, sequins

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Dubréus Lhérisson, Prabhakar Kamble, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

From left to right:

 

Dubréus Lhérisson, Untitled, ca. 2015

Mixed media; skulls, sequins

 

Prabhakar Kamble, Chandelier, 2022

Earthen pot, iron hook, cotton ropes, belts, bells, pieces of textiles, hides, and tools used to harness and decorate bulls, slaughter hook

 

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Prabhakar Kamble, Installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

Prabhakar Kamble, Broken Foot, 2020

Wood

 

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Khandakar Ohida, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

Khandakar Ohida, Dream Your Museum, 2022

Short film, color, sound,16′; metal trunks, various objects, sitting mats

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Prabhakar Kamble, Installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

Prabhakar Kamble, objects from the series Utarand [Stacked vessels], 2022

Earthen pot, metal foot, fiber brains, satin cloth, indigo powder, acrylic, iron rod, wooden base

  • 4096 × 2732 px
  • 5.98 MB
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The School of Mutants, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022

Photo: dotgain.info

 

The School of Mutants, All Fragments of the Word Will Come Back Here to Mend Each Other, 2022

Mixed media

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Dekoloniale Memory Culture in the City

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Nil Yalter, installation view, 12th Berlin Biennale, Dekoloniale Memory Culture in the City, 11.6.–18.9.2022

Photo: Silke Briel

 

Postering Workshop as part of Nil Yalter’s artwork Exile Is a Hard Job, 1983/2022, with Nagham Hammoush and Rüzgâr Buşki

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Nil Yalter, installation view, 12th Berlin Biennale, Dekoloniale Memory Culture in the City, 11.6.–18.9.2022

Photo: Silke Briel

 

Postering Workshop as part of Nil Yalter’s artwork Exile Is a Hard Job, 1983/2022, with Nagham Hammoush and Rüzgâr Buşki

  • 3750 × 2500 px
  • 6.87 MB
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Nil Yalter, installation view, 12th Berlin Biennale, Dekoloniale Memory Culture in the City, 11.6.–18.9.2022

Photo: Silke Briel

 

Postering Workshop as part of Nil Yalter’s artwork Exile Is a Hard Job, 1983/2022, with Nagham Hammoush and Rüzgâr Buşki

  • 3750 × 2500 px
  • 6.19 MB
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Nil Yalter, installation view, 12th Berlin Biennale, Dekoloniale Memory Culture in the City, 11.6.–18.9.2022

Photo: Silke Briel

 

Postering Workshop as part of Nil Yalter’s artwork Exile Is a Hard Job, 1983/2022, with Nagham Hammoush and Rüzgâr Buşki

  • 3750 × 2500 px
  • 4.18 MB
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Nil Yalter, installation view, 12th Berlin Biennale, Dekoloniale Memory Culture in the City, 11.6.–18.9.2022

Photo: Silke Briel

 

Postering Workshop as part of Nil Yalter’s artwork Exile Is a Hard Job, 1983/2022, with Nagham Hammoush and Rüzgâr Buşki

  • 2533 × 3800 px
  • 5.37 MB
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Nil Yalter, installation view, 12th Berlin Biennale, Dekoloniale Memory Culture in the City, 11.6.–18.9.2022

Photo: Silke Briel

 

Postering Workshop as part of Nil Yalter’s artwork Exile Is a Hard Job, 1983/2022, with Nagham Hammoush and Rüzgâr Buşki

  • 2533 × 3800 px
  • 4.27 MB

Hamburger Bahnhof – Museum für Gegenwart

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Hamburger Bahnhof – Museum für Gegenwart – Berlin

Berlin, 2022

Photo: Laura Fiorio

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Hamburger Bahnhof – Museum für Gegenwart – Berlin

Berlin, 2022

Photo: Laura Fiorio

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Alex Prager, David Chavalarias, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

From left to right:

 

David Chavalarias, works from the series Shifting Collectives, 2022

 

Alex Prager, Crowd #4 (New Haven), 2013/22

Wallpaper

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Alex Prager, Birender Yadav, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

From left to right:

 

Alex Prager, Crowd #4 (New Haven), 2013/22

Wallpaper

 

Selection of works by Birender Yadav

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Birender Yadav, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

From left to right:

 

Birender Yadav, Donkey Worker, 2015

Thumbprints of workers on Canson paper

 

Birender Yadav, Walking on the Roof of Hell, 2016

Khadau sandals, 10 archival prints

 

Birender Yadav, Erased Faces, 2015

Thumbprints of workers on archival prints

 

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Calida Garcia Rawles, Noel W Anderson, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

Calida Garcia Rawles, Dark Matter, 2021

Acrylic on canvas

 

Noel W Anderson, Hood Dreams I, 2019–21

Distressed, stretched cotton tapestry

 

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Calida Garcia Rawles, Noel W Anderson, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

Noel W Anderson, Hood Dreams I, 2019–21

Distressed, stretched cotton tapestry

 

Calida Garcia Rawles, High Tide, Heavy Armor, 2021

Acrylic on canvas

  • 5151 × 3434 px
  • 10.42 MB
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Calida Garcia Rawles, Noel W Anderson, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

From left to right:

 

Calida Garcia Rawles, High Tide, Heavy Armor, 2021

Acrylic on canvas

 

Noel W Anderson, Hood Dreams I, 2019-21

Distressed, stretched cotton tapestry

 

Calida Garcia Rawles, A Promise, 2020

Acrylic on canvas

 

Calida Garcia Rawles, Guardian, 2020

Acrylic on canvas

 

Calida Garcia Rawles, Dark Matter, 2021

Acrylic on canvas

  • 5760 × 3840 px
  • 10.19 MB
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Basel Abbas and Ruanne Abou-Rahme, installation view, 12th Berlin Biennale Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

Basel Abbas and Ruanne Abou-Rahme, Oh Shining Star Testify, 2019/22

3-chanel video installation, 2-channel sound, subwoofer, 10’05’’; wooden boards

 

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Basel Abbas and Ruanne Abou-Rahme, installation view, 12th Berlin Biennale Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

Basel Abbas and Ruanne Abou-Rahme, Oh Shining Star Testify, 2019/22

3-chanel video installation, 2-channel sound, subwoofer, 10’05’’; wooden boards

  • 3800 × 2535 px
  • 6.31 MB
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Basel Abbas and Ruanne Abou-Rahme, installation view, 12th Berlin Biennale Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

Basel Abbas and Ruanne Abou-Rahme, Oh Shining Star Testify, 2019/22

3-chanel video installation, 2-channel sound, subwoofer, 10’05’’; wooden boards

  • 3800 × 2535 px
  • 7.80 MB
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Basel Abbas and Ruanne Abou-Rahme, installation view, 12th Berlin Biennale Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

Basel Abbas and Ruanne Abou-Rahme, Oh Shining Star Testify, 2019/22

3-chanel video installation, 2-channel sound, subwoofer, 10’05’’; wooden boards

  • 3800 × 2533 px
  • 5.82 MB
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Tammy Nguyen, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

Tammy Nguyen, series of paintings, 2022

Watercolor, vinyl paint, pastel, metal leaf on paper stretched on foam board mounted on wooden frame

  • 5760 × 3840 px
  • 10.09 MB
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Lawrence Abu Hamdan, Driss Ouadahi, Installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

From left to right:

 

Lawrence Abu Hamdan, Air Conditioning, 2022

Full-color inkjet print on archival paper mounted on aluminum; vinyl labels; instructional video, HD, color, 2′

 

Driss Ouadahi, Néon [Neon], 2016

Oil on canvas, diptych

 

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Lawrence Abu Hamdan, installation view, 12th Berlin Biennale Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

Lawrence Abu Hamdan, Air Conditioning, 2022

Full-color inkjet print on archival paper mounted on aluminium ; vinyl labels ; instructional video, HD, color, 2’

  • 3800 × 2534 px
  • 4.27 MB
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Noel W Anderson, Praneet Soi, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

From left to right :

 

Noel W Anderson, Downw0rd Dog, 2021-22

Distressed, draped cotton tapestry

 

Praneet Soi, Paraphernalia, 2022

Coir sculpture, drawings, and paintings on dioramic wall

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  • 15.17 MB
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Noel W Anderson, Praneet Soi, Installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

From left to right:

 

Noel W Anderson, Die Leitung [Line Up], 2016-21

Distressed, stretched cotton tapestry

 

Noel W Anderson, Downw0rd Dog, 2021-22

Distressed, draped cotton tapestry

 

Praneet Soi, Paraphernalia, 2022

Coir sculpture, drawings, and paintings on dioramic wall

  • 5656 × 3771 px
  • 10.77 MB
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Praneet Soi, Tammy Nguyen, Installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

From left to right:

 

Praneet Soi, Paraphernalia, 2022

Coir sculpture, drawings, and paintings on dioramic wall

 

Tammy Nguyen, series of paintings, 2022

Watercolor, vinyl paint, pastel, metal leaf on paper stretched on foam board mounted on wooden frame

  • 5364 × 3576 px
  • 12.61 MB
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Noel W Anderson, Praneet Soi, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

From left to right:

 

Praneet Soi, Paraphernalia, 2022

Coir sculpture, drawings, and paintings on dioramic wall

 

Noel W Anderson, Martir [Martyr], 2020-21

Laser-cut basketball material on distressed and picked stretched cotton tapestry

 

  • 2508 × 3800 px
  • 2.72 MB
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Zach Blas, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

Zach Blas, Profundior (Lachryphagic Transmutation Deus-Motus-Data Network), 2022

Mixed media

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  • 7.70 MB

KW Institute for Contemporary Art

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KW Institute for Contemporary Art

Berlin, 2022

Photo: Silke Briel

  • 3800 × 2533 px
  • 6.32 MB
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Alex Prager, Deneth Piumakshi Veda Arachchige, Grand Tableau Antifasciste Collectif, Jeneen Frei Njootli, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

From left to right:

 

Alex Prager, Women Now, 2018/22

Wallpaper

 

Deneth Piumakshi Veda Arachchige, works from the series 136 years ago & now, 2019

Photographs

 

Antonio Recalcati, Enrico Baj, Erró, Gianni Giancarlo Dova, Jean-Jacques Lebel, Roberto Crippa, Grand tableau antifasciste collectif [Large collective antifascist painting], 1960

Painting and collage on canvas

© Antonio Recalcati, Erró, Jean-Jacques Lebel, Roberto Crippa / VG Bild-Kunst, Bonn 2022; Heirs Enrico Baj, Gianni Dova

  • 3800 × 2533 px
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Amal Kenawy, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022

Photo: Laura Fiorio

 

Amal Kenawy, Silence of Sheep, 2010

Video, color, sound, 8’50’’

  • 3800 × 2533 px
  • 5.14 MB
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Ariella Aïsha Azoulay, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Ariella Aïsha Azoulay, The Natural History of Rape, 2017/22

Vintage photographs, prints, untaken b/w photographs, books, essays, magazines, drawings

  • 3800 × 2533 px
  • 6.48 MB
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Myriam El Haïk, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Myriam El Haïk, Please Patterns, 2022

Installation and performance for drawings, rugs, and piano

  • 3800 × 2533 px
  • 5.68 MB
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Myriam El Haïk, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Myriam El Haïk, Please Patterns, 2022

Installation and performance for drawings, rugs, and piano

  • 3800 × 2533 px
  • 7.19 MB
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Myriam El Haïk, performance as part of the artwork Please Patterns, 2022, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Myriam El Haïk, Please Patterns, 2022

Installation and performance for drawings, rugs, and piano

  • 3800 × 2533 px
  • 5.71 MB
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Myriam El Haïk, performance as part of the artwork Please Patterns, 2022, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Myriam El Haïk, Please Patterns, 2022

Installation and performance for drawings, rugs, and piano

  • 2533 × 3800 px
  • 5.83 MB
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Myriam El Haïk, Zuzanna Hertzberg, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

From left to right:

 

Zuzanna Hertzberg, Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019-22

5 textile banners with photo prints; performative activation

 

Myriam El Haïk, Please Patterns, 2022

Installation and performance for drawings, rugs, and piano

 

  • 3800 × 2533 px
  • 5.71 MB
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Zuzanna Hertzberg, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Zuzanna Hertzberg, Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019-22

5 textile banners with photo prints; performative activation

  • 2533 × 3800 px
  • 5.59 MB
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Zuzanna Hertzberg, performance as part of the artwork Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019-22, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Zuzanna Hertzberg, Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019–22

5 textile banners with photo prints; performative activation

 

  • 3500 × 2333 px
  • 4.30 MB
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Zuzanna Hertzberg, performance as part of the artwork Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019-22, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Zuzanna Hertzberg, Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019–22

5 textile banners with photo prints; performative activation

 

  • 3500 × 2333 px
  • 4.17 MB
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Zuzanna Hertzberg, performance as part of the artwork Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019-22, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Zuzanna Hertzberg, Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019–22

5 textile banners with photo prints; performative activation

 

  • 3500 × 2333 px
  • 4.55 MB
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Nil Yalter, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

From left to right:

 

Nil Yalter, Estranged Doors, 1983

8 b/w photographs, paint, text, mounted on aluminium

 

Nil Yalter, Exile Is A Hard Job, 1983/2022

Montage of paper works & bw video stills

  • 3800 × 2533 px
  • 6.22 MB
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Mathieu Pernot, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Mathieu Pernot, Les Gorgans [The Gorgans], 1995-2015

Photographs

© Mathieu Pernot / VG Bild-Kunst, Bonn 2022

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  • 5.27 MB
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Mathieu Pernot, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Mathieu Pernot, photographs from the series Les Gorgans [The Gorgans], 1995–2015

© Mathieu Pernot / VG Bild-Kunst, Bonn 2022

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  • 5.68 MB
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Simone Fattal, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Simone Fattal, In Our Lands of Drought the Rain Forever Is Made of Bullets, 2006

24 lava stones

 

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  • 5.07 MB
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Mayuri Chari, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Mayuri Chari, I Was Not Created for Pleasure, 2017/22

Cow dung, sawdust, fenugreek powder, wood guard, linseed oil

  • 3800 × 2534 px
  • 4.67 MB
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Mayuri Chari, Deneth Piumakshi Veda Arachchige, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.06.-18.09.2022

Photo: Silke Briel

 

Mayuri Chari, I Was Not Created for Pleasure 13 (Monologue of a Vagina), 2017

Thread, Stitching on cloth

 

Deneth Piumakshi Veda Aarachchige, Self-Portrait as Restitution – from a Feminist Point of View, 2020

3D SLA-print of the artist’s body

 

Deneth Piumakshi Veda Arachchige, works from the series 136 years ago & now, 2019

Photographs

 

Mayuri Chari, I Was Not Created for Pleasure (Don′t Open I Am Nude Inside), 2018

Thread, Stitching on cloth

 

  • 3800 × 2533 px
  • 5.17 MB
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Mayuri Chari, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Mayuri Chari, works from the series I Was Not Created For Pleasure, 2017–22

 

  • 3800 × 2533 px
  • 4.59 MB
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Deneth Piumakshi Veda Arachchige, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Deneth Piumakshi Veda Arachchige, Self-Portrait as Restitution – From a Feminist Point of View, 2020

3D SLA-print of the artist’s body

  • 2533 × 3800 px
  • 6.55 MB
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Mai Nguyễn-Long, Etinosa Yvonne, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Front:

 

Mai Nguyễn-Long, Vomit Girl (Berlin Cluster), 2022

Unglazed and glazed clay

 

Back:

 

Etinosa Yvonne, It’s All In My Head, 2019–20

Photographs

  • 3800 × 2533 px
  • 4.61 MB
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Mai Nguyễn-Long, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Mai Nguyễn-Long, works from the series Vomit Girl (Berlin Cluster), 2022

Unglazed and glazed clay

  • 3800 × 2533 px
  • 5.00 MB
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Binta Diaw, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Binta Diaw, Dïà s p o r a, 2021

Artificial hair, iron, plants, soil

  • 2533 × 3800 px
  • 6.03 MB
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Binta Diaw, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Binta Diaw, Dïà s p o r a, 2021/22

Artificial hair, iron, plants, soil

 

  • 3800 × 2533 px
  • 4.79 MB
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Etinosa Yvonne, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Etinosa Yvonne, photographs from the series It’s All In My Head, 2019-20

  • 3800 × 2533 px
  • 5.52 MB
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Maithu Bùi, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Maithu Bùi, MMRBX, 2022

2-channel video installation, color, sound, ca. 30′; salt

  • 3800 × 2533 px
  • 5.23 MB
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Taysir Batniji, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Taysir Batniji, Suspended Time, 2006

Glass, sand

© Taysir Batniji / VG Bild-Kunst, Bonn 2022

 

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  • 8.31 MB
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Marta Popivoda/Ana Vujanović, Tejswini Narayan Sonawane, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

From left to right:

 

Marta Popivoda/Ana Vujanović, Moss Does it Better (an eco-feminist meditation), 2022

2-channel video installation, color, sound, approx. 18′

 

Tejswini Narayan Sonawane, Femininity I, 2015

Woodcut block

  • 3800 × 2533 px
  • 5.21 MB
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Tejswini Narayan Sonawane, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Tejswini Narayan Sonawane, works from the series Femininity, 2015

Woodcut on cloth and wood

  • 3800 × 2533 px
  • 5.69 MB
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Mónica de Miranda, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022

Photo: Silke Briel

 

Mónica de Miranda, Path to the Stars, 2022

Video, color, sound, 34’41”

  • 3800 × 2533 px
  • 6.08 MB

Stasi Headquarters. Campus for Democracy

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Stasi Headquarters. Campus for Democracy
Berlin, 2022
Photo: Laura Fiorio

  • 3800 × 2533 px
  • 3.91 MB
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Ngô Thành Bắc, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio

 

Ngô Thành Bắc, Trồng Cây Chuối – Headstand, 2007/22
Photographs of performance

  • 3800 × 2535 px
  • 1.73 MB
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Ngô Thành Bắc, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio

 

Ngô Thành Bắc, Trồng Cây Chuối – Headstand, 2007/22
Photographs of performance

  • 3800 × 2535 px
  • 959.73 KB
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Omer Fast, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio

 

Omer Fast, A Place Which Is Ripe, 2020
3 synchronized videos on mobile phones lying in an open drawer, color, sound, loop, 16′39′′; office furniture

  • 3800 × 5697 px
  • 3.91 MB
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Omer Fast, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio

 

Omer Fast, A Place Which Is Ripe, 2020
3 synchronized videos on mobile phones lying in an open drawer, color, sound, loop, 16′39′′; office furniture

  • 3800 × 5697 px
  • 4.25 MB
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Omer Fast, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio

 

Omer Fast, A Place Which Is Ripe, 2020
3 synchronized videos on mobile phones lying in an open drawer, color, sound, loop, 16′39′′; office furniture

  • 3800 × 2535 px
  • 1.80 MB
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The School of Mutants, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio

 

The School of Mutants (Valérie Osouf), Xiheng Jie, 2022
HD video, sound, 7’40’’

  • 3800 × 2533 px
  • 1.80 MB
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Susan Schuppli, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio

 

Susan Schuppli, Freezing Deaths & Abandonment across Canada, from the series Cold Cases, 2021-22
Video, color, sound, 31’55”

  • 3800 × 2534 px
  • 1.60 MB
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Zach Blas, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio

 

From left to right:

 

Zach Blas, masks from the series Facial Weaponization Suite, 2012-14
Painted, vacuum-formed recycled polyethylene terephthalate

 

Zach Blas, Facial Weaponization Communiqué: Fag Face, from the series Facial Weaponization Suite, 2012
HD single-channel video, color, sound, 8’10’’, loop

  • 3800 × 2535 px
  • 2.02 MB