
Curator and Artistic Team of the 12th Berlin Biennale (f.l.t.r. Ana Teixeira Pinto, Noam Segal, Kader Attia, Đỗ Tường Linh, Rasha Salti, Marie Helene Pereira)
Photo: Silke Briel
Please note that all images are protected by copyright and may only be used for press purposes related to the 12th Berlin Biennale for Contemporary Art and with corresponding image credits. The transfer to third parties is not permitted.
Akademie der Künste, Hanseatenweg
Berlin, 2022
Photo: dotgain.info
Ammar Bouras, Mai Nguyễn-Long, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
From left to right:
Mai Nguyễn-Long, Specimen (Permate), 2022
Used glass household jars, found objects, organic matter
Ammar Bouras, Traces, 2022
Video, color, sound, 15′
Mai Nguyễn-Long, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Mai Nguyễn-Long, Specimen (Permate), 2022
Used glass household jars, found objects, organic matter
Sammy Baloji, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Sammy Baloji, …and to those North Sea Waves Whispering Sunken Stories (II), 2021
Metal and glass terrarium containing various tropical plants, potting soil, clay pebbles, sound
230 × 273 × 307 cm
DAAR – Sandi Hilal and Alessandro Petti, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
DAAR – Sandi Hilal and Alessandro Petti, Ente di Decolonizzazione (Entity of Decolonization) – Borgo Rizza, 2022
Wood, plaster, plexiglass
DAAR – Sandi Hilal and Alessandro Petti, Tammy Nguyen, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Front :
DAAR – Sandi Hilal and Alessandro Petti, visualization of Ente di Decolonizzazione (Entity of Decolonization) – Borgo Rizza, 2022
Wood, plaster, plexiglass
Back :
Tammy Nguyen, series of paintings, 2022
Watercolor, vinyl paint, pastel, metal leaf on paper stretched on foam board mounted on wooden frame
Florian Sông Nguyễn, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Florian Sông Nguyễn, les chiens errants [The Stray Dogs], 2022
Ink wall drawing, ink on paper
Florian Sông Nguyễn, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Florian Sông Nguyễn, les chiens errants [The Stray Dogs], 2022
Ink wall drawing, ink on paper
Forensic Architecture, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Forensic Architecture, Cloud Studies, 2022
2-channel video installation, color, sound, 26′08′′
Imani Jacqueline Brown, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Imani Jacqueline Brown, What remains at the ends of the earth?, 2022
Video installation, print
Imani Jacqueline Brown, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Imani Jacqueline Brown, What remains at the ends of the earth?, 2022
Video installation, print
Lamia Joreige, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Lamia Joreige, After the River, 2016
3-channel video installation, shown as single projection, color, sound, 20′
Đào Châu Hải, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Đào Châu Hải, Ballad of the East Sea, 2022
CNC cut steel plates
Đào Châu Hải, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.-18.9.2022
Photo: dotgain.info
Đào Châu Hải, Ballad of the East Sea (detail), 2022
CNC cut steel plates
Tammy Nguyen, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Tammy Nguyen, series of paintings, 2022
Watercolor, vinyl paint, pastel, metal leaf on paper stretched on foam board mounted on wooden frame
Sven Johne, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Sven Johne, Heilpflanzen im Todesstreifen / Medicinal Plants in the Death Strip, Germany, 2021
25 archival pigment ink prints on fine art paper
© Sven Johne / VG Bild-Kunst, Bonn 2022
Sven Johne, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Sven Johne, Heilpflanzen im Todesstreifen / Medicinal Plants in the Death Strip, Germany (detail), 2021
25 archival pigment ink prints on fine art paper
© Sven Johne / VG Bild-Kunst, Bonn 2022
Yuyan Wang, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022
Photo: dotgain.info
Yuyan Wang, The Moon Also Rises, 2022
Full HD-Video, color, sound, approx. 20′; lighting equipment
Akademie der Künste, Pariser Platz
Berlin, 2022
Photo: dotgain.info
Elske Rosenfeld, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
Elske Rosenfeld, Interrupting (A bit of a Complex Situation), 2014, from the series An Archive of Gestures, 2012–22
2-channel video installation, color, sound, 14′, metal frame
© Elske Rosenfeld / VG Bild-Kunst, Bonn 2022
Elske Rosenfeld, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
Elske Rosenfeld, Speaking (Statements for the Future), 2019/22, from the series An Archive of Gestures, 2012–22
Video installation, color, sound, 15′; metal frame
© Elske Rosenfeld / VG Bild-Kunst, Bonn 2022
Moses März, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
Moses März, various works on paper, 2021-22
Crayon, pencil and collages on paper
Prabhakar Kamble, Taloi Havini, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
From left to right:
Prabhakar Kamble, objects from the series Utarand [Stacked vessels], 2022
Earthen pot, metal foot, fiber brains, satin cloth, indigo powder, acrylic, iron rod, wooden base
Taloi Havini, Beroana (Shell money) IV, 2016
Stoneware, earthenware, clear glaze, steel wire
Taloi Havini, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
Taloi Havini, Beroana (Shell money) IV, 2016
Stoneware, earthenware, clear glaze, steel wire
Karl Schmidt-Rottluff, Crucifixes, Emil Nolde, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
Karl Schmidt-Rottluff, Schiefblatt und Maske [Begonia and Mask], 1950
Oil on canvas
© Karl Schmidt-Rottluff / VG Bild-Kunst, Bonn 2022
Karl Schmidt-Rottluff, Grüne Frau [Green Woman], 1956
Oil on canvas
© Karl Schmidt-Rottluff / VG Bild-Kunst, Bonn 2022
Crucifixes, various collections
Emil Nolde, Exotische Figuren [Exotic Figures], 1912
Oil on canvas
Emil Nolde, Holzfigur [Wooden Figure], 1912
Oil on canvas
Crucifixes, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
Crucifixes, various collections
Dubréus Lhérisson, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
Dubréus Lhérisson, Untitled, ca. 2015
Mixed media; skulls, sequins
Dubréus Lhérisson, Prabhakar Kamble, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
From left to right:
Dubréus Lhérisson, Untitled, ca. 2015
Mixed media; skulls, sequins
Prabhakar Kamble, Chandelier, 2022
Earthen pot, iron hook, cotton ropes, belts, bells, pieces of textiles, hides, and tools used to harness and decorate bulls, slaughter hook
Prabhakar Kamble, Installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
Prabhakar Kamble, Broken Foot, 2020
Wood
Khandakar Ohida, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
Khandakar Ohida, Dream Your Museum, 2022
Short film, color, sound,16′; metal trunks, various objects, sitting mats
Prabhakar Kamble, Installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
Prabhakar Kamble, objects from the series Utarand [Stacked vessels], 2022
Earthen pot, metal foot, fiber brains, satin cloth, indigo powder, acrylic, iron rod, wooden base
The School of Mutants, installation view, 12th Berlin Biennale, Akademie der Künste, Pariser Platz, 11.6.–18.9.2022
Photo: dotgain.info
The School of Mutants, All Fragments of the Word Will Come Back Here to Mend Each Other, 2022
Mixed media
Nil Yalter, installation view, 12th Berlin Biennale, Dekoloniale Memory Culture in the City, 11.6.–18.9.2022
Photo: Silke Briel
Postering Workshop as part of Nil Yalter’s artwork Exile Is a Hard Job, 1983/2022, with Nagham Hammoush and Rüzgâr Buşki
Nil Yalter, installation view, 12th Berlin Biennale, Dekoloniale Memory Culture in the City, 11.6.–18.9.2022
Photo: Silke Briel
Postering Workshop as part of Nil Yalter’s artwork Exile Is a Hard Job, 1983/2022, with Nagham Hammoush and Rüzgâr Buşki
Nil Yalter, installation view, 12th Berlin Biennale, Dekoloniale Memory Culture in the City, 11.6.–18.9.2022
Photo: Silke Briel
Postering Workshop as part of Nil Yalter’s artwork Exile Is a Hard Job, 1983/2022, with Nagham Hammoush and Rüzgâr Buşki
Nil Yalter, installation view, 12th Berlin Biennale, Dekoloniale Memory Culture in the City, 11.6.–18.9.2022
Photo: Silke Briel
Postering Workshop as part of Nil Yalter’s artwork Exile Is a Hard Job, 1983/2022, with Nagham Hammoush and Rüzgâr Buşki
Nil Yalter, installation view, 12th Berlin Biennale, Dekoloniale Memory Culture in the City, 11.6.–18.9.2022
Photo: Silke Briel
Postering Workshop as part of Nil Yalter’s artwork Exile Is a Hard Job, 1983/2022, with Nagham Hammoush and Rüzgâr Buşki
Nil Yalter, installation view, 12th Berlin Biennale, Dekoloniale Memory Culture in the City, 11.6.–18.9.2022
Photo: Silke Briel
Postering Workshop as part of Nil Yalter’s artwork Exile Is a Hard Job, 1983/2022, with Nagham Hammoush and Rüzgâr Buşki
Hamburger Bahnhof – Museum für Gegenwart – Berlin
Berlin, 2022
Photo: Laura Fiorio
Hamburger Bahnhof – Museum für Gegenwart – Berlin
Berlin, 2022
Photo: Laura Fiorio
Alex Prager, David Chavalarias, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
From left to right:
David Chavalarias, works from the series Shifting Collectives, 2022
Alex Prager, Crowd #4 (New Haven), 2013/22
Wallpaper
Alex Prager, Birender Yadav, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
From left to right:
Alex Prager, Crowd #4 (New Haven), 2013/22
Wallpaper
Selection of works by Birender Yadav
Birender Yadav, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
From left to right:
Birender Yadav, Donkey Worker, 2015
Thumbprints of workers on Canson paper
Birender Yadav, Walking on the Roof of Hell, 2016
Khadau sandals, 10 archival prints
Birender Yadav, Erased Faces, 2015
Thumbprints of workers on archival prints
Calida Garcia Rawles, Noel W Anderson, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
Calida Garcia Rawles, Dark Matter, 2021
Acrylic on canvas
Noel W Anderson, Hood Dreams I, 2019–21
Distressed, stretched cotton tapestry
Calida Garcia Rawles, Noel W Anderson, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
Noel W Anderson, Hood Dreams I, 2019–21
Distressed, stretched cotton tapestry
Calida Garcia Rawles, High Tide, Heavy Armor, 2021
Acrylic on canvas
Calida Garcia Rawles, Noel W Anderson, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
From left to right:
Calida Garcia Rawles, High Tide, Heavy Armor, 2021
Acrylic on canvas
Noel W Anderson, Hood Dreams I, 2019-21
Distressed, stretched cotton tapestry
Calida Garcia Rawles, A Promise, 2020
Acrylic on canvas
Calida Garcia Rawles, Guardian, 2020
Acrylic on canvas
Calida Garcia Rawles, Dark Matter, 2021
Acrylic on canvas
Basel Abbas and Ruanne Abou-Rahme, installation view, 12th Berlin Biennale Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
Basel Abbas and Ruanne Abou-Rahme, Oh Shining Star Testify, 2019/22
3-chanel video installation, 2-channel sound, subwoofer, 10’05’’; wooden boards
Basel Abbas and Ruanne Abou-Rahme, installation view, 12th Berlin Biennale Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
Basel Abbas and Ruanne Abou-Rahme, Oh Shining Star Testify, 2019/22
3-chanel video installation, 2-channel sound, subwoofer, 10’05’’; wooden boards
Basel Abbas and Ruanne Abou-Rahme, installation view, 12th Berlin Biennale Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
Basel Abbas and Ruanne Abou-Rahme, Oh Shining Star Testify, 2019/22
3-chanel video installation, 2-channel sound, subwoofer, 10’05’’; wooden boards
Basel Abbas and Ruanne Abou-Rahme, installation view, 12th Berlin Biennale Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
Basel Abbas and Ruanne Abou-Rahme, Oh Shining Star Testify, 2019/22
3-chanel video installation, 2-channel sound, subwoofer, 10’05’’; wooden boards
Tammy Nguyen, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
Tammy Nguyen, series of paintings, 2022
Watercolor, vinyl paint, pastel, metal leaf on paper stretched on foam board mounted on wooden frame
Lawrence Abu Hamdan, Driss Ouadahi, Installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
From left to right:
Lawrence Abu Hamdan, Air Conditioning, 2022
Full-color inkjet print on archival paper mounted on aluminum; vinyl labels; instructional video, HD, color, 2′
Driss Ouadahi, Néon [Neon], 2016
Oil on canvas, diptych
Lawrence Abu Hamdan, installation view, 12th Berlin Biennale Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
Lawrence Abu Hamdan, Air Conditioning, 2022
Full-color inkjet print on archival paper mounted on aluminium ; vinyl labels ; instructional video, HD, color, 2’
Noel W Anderson, Praneet Soi, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
From left to right :
Noel W Anderson, Downw0rd Dog, 2021-22
Distressed, draped cotton tapestry
Praneet Soi, Paraphernalia, 2022
Coir sculpture, drawings, and paintings on dioramic wall
Noel W Anderson, Praneet Soi, Installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
From left to right:
Noel W Anderson, Die Leitung [Line Up], 2016-21
Distressed, stretched cotton tapestry
Noel W Anderson, Downw0rd Dog, 2021-22
Distressed, draped cotton tapestry
Praneet Soi, Paraphernalia, 2022
Coir sculpture, drawings, and paintings on dioramic wall
Praneet Soi, Tammy Nguyen, Installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
From left to right:
Praneet Soi, Paraphernalia, 2022
Coir sculpture, drawings, and paintings on dioramic wall
Tammy Nguyen, series of paintings, 2022
Watercolor, vinyl paint, pastel, metal leaf on paper stretched on foam board mounted on wooden frame
Noel W Anderson, Praneet Soi, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
From left to right:
Praneet Soi, Paraphernalia, 2022
Coir sculpture, drawings, and paintings on dioramic wall
Noel W Anderson, Martir [Martyr], 2020-21
Laser-cut basketball material on distressed and picked stretched cotton tapestry
Zach Blas, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
Zach Blas, Profundior (Lachryphagic Transmutation Deus-Motus-Data Network), 2022
Mixed media
KW Institute for Contemporary Art
Berlin, 2022
Photo: Silke Briel
Alex Prager, Deneth Piumakshi Veda Arachchige, Grand Tableau Antifasciste Collectif, Jeneen Frei Njootli, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
From left to right:
Alex Prager, Women Now, 2018/22
Wallpaper
Deneth Piumakshi Veda Arachchige, works from the series 136 years ago & now, 2019
Photographs
Antonio Recalcati, Enrico Baj, Erró, Gianni Giancarlo Dova, Jean-Jacques Lebel, Roberto Crippa, Grand tableau antifasciste collectif [Large collective antifascist painting], 1960
Painting and collage on canvas
© Antonio Recalcati, Erró, Jean-Jacques Lebel, Roberto Crippa / VG Bild-Kunst, Bonn 2022; Heirs Enrico Baj, Gianni Dova
Amal Kenawy, installation view, 12th Berlin Biennale, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 11.6.–18.9.2022
Photo: Laura Fiorio
Amal Kenawy, Silence of Sheep, 2010
Video, color, sound, 8’50’’
Ariella Aïsha Azoulay, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Ariella Aïsha Azoulay, The Natural History of Rape, 2017/22
Vintage photographs, prints, untaken b/w photographs, books, essays, magazines, drawings
Myriam El Haïk, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Myriam El Haïk, Please Patterns, 2022
Installation and performance for drawings, rugs, and piano
Myriam El Haïk, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Myriam El Haïk, Please Patterns, 2022
Installation and performance for drawings, rugs, and piano
Myriam El Haïk, performance as part of the artwork Please Patterns, 2022, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Myriam El Haïk, Please Patterns, 2022
Installation and performance for drawings, rugs, and piano
Myriam El Haïk, performance as part of the artwork Please Patterns, 2022, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Myriam El Haïk, Please Patterns, 2022
Installation and performance for drawings, rugs, and piano
Myriam El Haïk, Zuzanna Hertzberg, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
From left to right:
Zuzanna Hertzberg, Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019-22
5 textile banners with photo prints; performative activation
Myriam El Haïk, Please Patterns, 2022
Installation and performance for drawings, rugs, and piano
Zuzanna Hertzberg, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Zuzanna Hertzberg, Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019-22
5 textile banners with photo prints; performative activation
Zuzanna Hertzberg, performance as part of the artwork Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019-22, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Zuzanna Hertzberg, Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019–22
5 textile banners with photo prints; performative activation
Zuzanna Hertzberg, performance as part of the artwork Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019-22, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Zuzanna Hertzberg, Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019–22
5 textile banners with photo prints; performative activation
Zuzanna Hertzberg, performance as part of the artwork Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019-22, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Zuzanna Hertzberg, Mechitza. Individual and Organized Resistance of Women During the Holocaust, 2019–22
5 textile banners with photo prints; performative activation
Nil Yalter, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
From left to right:
Nil Yalter, Estranged Doors, 1983
8 b/w photographs, paint, text, mounted on aluminium
Nil Yalter, Exile Is A Hard Job, 1983/2022
Montage of paper works & bw video stills
Mathieu Pernot, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Mathieu Pernot, Les Gorgans [The Gorgans], 1995-2015
Photographs
© Mathieu Pernot / VG Bild-Kunst, Bonn 2022
Mathieu Pernot, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Mathieu Pernot, photographs from the series Les Gorgans [The Gorgans], 1995–2015
© Mathieu Pernot / VG Bild-Kunst, Bonn 2022
Simone Fattal, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Simone Fattal, In Our Lands of Drought the Rain Forever Is Made of Bullets, 2006
24 lava stones
Mayuri Chari, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Mayuri Chari, I Was Not Created for Pleasure, 2017/22
Cow dung, sawdust, fenugreek powder, wood guard, linseed oil
Mayuri Chari, Deneth Piumakshi Veda Arachchige, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.06.-18.09.2022
Photo: Silke Briel
Mayuri Chari, I Was Not Created for Pleasure 13 (Monologue of a Vagina), 2017
Thread, Stitching on cloth
Deneth Piumakshi Veda Aarachchige, Self-Portrait as Restitution – from a Feminist Point of View, 2020
3D SLA-print of the artist’s body
Deneth Piumakshi Veda Arachchige, works from the series 136 years ago & now, 2019
Photographs
Mayuri Chari, I Was Not Created for Pleasure (Don′t Open I Am Nude Inside), 2018
Thread, Stitching on cloth
Mayuri Chari, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Mayuri Chari, works from the series I Was Not Created For Pleasure, 2017–22
Deneth Piumakshi Veda Arachchige, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Deneth Piumakshi Veda Arachchige, Self-Portrait as Restitution – From a Feminist Point of View, 2020
3D SLA-print of the artist’s body
Mai Nguyễn-Long, Etinosa Yvonne, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Front:
Mai Nguyễn-Long, Vomit Girl (Berlin Cluster), 2022
Unglazed and glazed clay
Back:
Etinosa Yvonne, It’s All In My Head, 2019–20
Photographs
Mai Nguyễn-Long, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Mai Nguyễn-Long, works from the series Vomit Girl (Berlin Cluster), 2022
Unglazed and glazed clay
Binta Diaw, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Binta Diaw, Dïà s p o r a, 2021
Artificial hair, iron, plants, soil
Binta Diaw, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Binta Diaw, Dïà s p o r a, 2021/22
Artificial hair, iron, plants, soil
Etinosa Yvonne, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Etinosa Yvonne, photographs from the series It’s All In My Head, 2019-20
Maithu Bùi, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Maithu Bùi, MMRBX, 2022
2-channel video installation, color, sound, ca. 30′; salt
Taysir Batniji, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Taysir Batniji, Suspended Time, 2006
Glass, sand
© Taysir Batniji / VG Bild-Kunst, Bonn 2022
Marta Popivoda/Ana Vujanović, Tejswini Narayan Sonawane, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
From left to right:
Marta Popivoda/Ana Vujanović, Moss Does it Better (an eco-feminist meditation), 2022
2-channel video installation, color, sound, approx. 18′
Tejswini Narayan Sonawane, Femininity I, 2015
Woodcut block
Tejswini Narayan Sonawane, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Tejswini Narayan Sonawane, works from the series Femininity, 2015
Woodcut on cloth and wood
Mónica de Miranda, installation view, 12th Berlin Biennale, KW Institute for Contemporary Art, 11.6.–18.9.2022
Photo: Silke Briel
Mónica de Miranda, Path to the Stars, 2022
Video, color, sound, 34’41”
Stasi Headquarters. Campus for Democracy
Berlin, 2022
Photo: Laura Fiorio
Ngô Thành Bắc, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio
Ngô Thành Bắc, Trồng Cây Chuối – Headstand, 2007/22
Photographs of performance
Ngô Thành Bắc, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio
Ngô Thành Bắc, Trồng Cây Chuối – Headstand, 2007/22
Photographs of performance
Omer Fast, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio
Omer Fast, A Place Which Is Ripe, 2020
3 synchronized videos on mobile phones lying in an open drawer, color, sound, loop, 16′39′′; office furniture
Omer Fast, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio
Omer Fast, A Place Which Is Ripe, 2020
3 synchronized videos on mobile phones lying in an open drawer, color, sound, loop, 16′39′′; office furniture
Omer Fast, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio
Omer Fast, A Place Which Is Ripe, 2020
3 synchronized videos on mobile phones lying in an open drawer, color, sound, loop, 16′39′′; office furniture
The School of Mutants, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio
The School of Mutants (Valérie Osouf), Xiheng Jie, 2022
HD video, sound, 7’40’’
Susan Schuppli, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio
Susan Schuppli, Freezing Deaths & Abandonment across Canada, from the series Cold Cases, 2021-22
Video, color, sound, 31’55”
Zach Blas, installation view, 12th Berlin Biennale, Stasi Headquarters. Campus for Democracy, 11.6.-18.9.2022
Photo: Laura Fiorio
From left to right:
Zach Blas, masks from the series Facial Weaponization Suite, 2012-14
Painted, vacuum-formed recycled polyethylene terephthalate
Zach Blas, Facial Weaponization Communiqué: Fag Face, from the series Facial Weaponization Suite, 2012
HD single-channel video, color, sound, 8’10’’, loop