Forensic Architecture work in London, UK

Mobilized by state and corporate powers, toxic clouds colonize the air we breathe on different scales and at varying durations. Repressive regimes use tear gas to clear democratic protests from urban roundabouts. Carcinogenic plumes of petrochemical emissions smother racialized communities. Airborne chemicals such as chlorine, white phosphorous, and herbicides are weaponized to displace and terrorize. Forest arson in the tropics alters continent-wide meteorological conditions, forcing millions to breathe toxic air.


Forensic Architecture, Cloud Studies, 2022, 2-channel video installation, color, sound, 26′08′′, video still © Forensic Architecture

It is a basic principle of forensics that between solid objects “every contact leaves a trace.” In contrast, clouds are the epitome of transformation, their dynamics governed by nonlinear, multicausal logics. This condition has been apparent throughout the history of painting, when clouds moving faster than the painter’s brush could only be imagined rather than recorded.

Clouds are always double. Seen from the outside, they are measurable objects; seen from within, they are experiential conditions of optical blur and atmospheric obscurity. Today’s clouds are both environmental and political. Their toxic fog is easily surrounded by lethal doubt. When denialism obscures acts of violence and compounds the harm it inflicts, we, as cohabitants of toxic clouds, must find new paths of resistance.


Forensic Architecture, Cloud Studies, 2022, 2-channel video installation, color, sound, 26′08′′, video still © Forensic Architecture

Forensic Architecture: Eyal Weizman, Samaneh Moafi, Imani Jacqueline Brown, Sarah Nankivell, Mark Nieto, Maksym Rokmaniko, Christina Varvia, Francesco Sebregondi, Shourideh C. Molavi, Stefan Laxness, Grace Quah, Jason Men, Nichola Czyz, Nabil Ahmed, Paulo Tavares, Olukoye Akinkugbe, Lola Conte, Robert Trafford, Ariel Caine, Manuel Correa, Sabine Saba, Omar Ferwati, Martyna Marciniak, Sanjana Varghese, Ayana Enomoto-Hurst, Ana Lopez Sanchez-Vegazo, Caterina Selva, Jacob Bertilsson, Nicholas Zembashi, Nicholas Masterton, Tom James, Giovanna Reder, Tamara Z. Jamil, Lachlan Kermode, Alican Aktürk, Ronni Winkler, Robert Krawczyk, Will Scarfone, Nick Axel, Camila E. Sotomayor, Vere Van Gool, Jacob Burns, Hania Halabi, Gustav A. Toftgaard, Nathan Su, Rosario Güiraldes, Susan Schuppli, Ana Naomi de Sousa, Kishan San, Mhamad Safa, Dimitra Andritsou, Sergio Beltrán-García, Dorette Panagiotopoulou, Elizabeth Breiner.

Forensic Architecture


Three Doors, 2022, Frankfurter Kunstverein, Frankfurt/Main (DE)

Cloud Studies, 2021, VISUAL Carlow, Carlow (IR) und The Whitworth Art Gallery, University of Manchester, Manchester (UK) (solo)

Critical Zones, 2020, ZKM | Center for Art and Media, Karlsruhe (DE)

Triple-Chaser, 2019, Whitney Museum of American Art, New York City (US)

Looking and Showing, 2019, Invisible Institute, Chicago (US) und Chicago Architecture Biennial, Chicago (US)

Centre for Contemporary Nature, 2019, Ujazdowski Castle – Centre for Contemporary Art, Warsaw (PL)

The Long Duration of a Split Second – Turner Prize 2018, 2018, Tate Britain, London (UK)

documenta 14, 2017, Neue Galerie, Kassel (DE)

Counter Investigations, 2018, ICA – Institute of Contemporary Arts, London (UK) (solo)